The short-drama "domineering CEO": deep, cold, magnetic, slow and commanding. Built for urban romance shorts, audio dramas, novel recaps and contrast-style ads.
Short Drama Voices
In a short drama, the voice sells the trope: the CEO needs weight in every pause, the reborn heroine needs ice in every word, the rival sister needs to sound too sweet to trust. These 8 voices play the leads, rivals and narrators of three original short dramas in the theater; Reborn at My Engagement Party also exists in English, Japanese, Korean, Spanish, Portuguese and Indonesian with the same cast.
8 voices
Play a sample, or open a voice for narration, dialogue and ad clips.
An icy, menacing villainess queen: low, slow, every word a blade. Ideal for short-drama villains, audio dramas, game bosses and suspense audiobooks.
A sweet, bubbly, playful girl voice with giggles baked in. The natural pick for kids' stories, picture books, cute game characters and kawaii shorts.
A soft, breathy, sweet Mandarin female voice — slow and gentle. Naturally suited to bedtime stories, ASMR, meditation guides, emotional radio and healing-brand ads.
A low, velvety, confident mature female voice with a touch of husk. Ideal for courses, corporate training, luxury/beauty ads and knowledge content.
A livestream e-commerce host: fast, loud, persuasive and excited. Built for livestream selling, product shorts, promo ads and sales voiceovers.
An intimate late-night radio voice: low, soft, slightly breathy, spoken close to the mic. Sets the mood for podcasts, emotional radio, sleep content and meditation.
A veteran broadcast announcer: deep, resonant, perfectly articulated Mandarin with anchor-desk gravitas. The go-to for news, documentaries, corporate and brand films.
Hear them in character
Real performances from the theater. Open one to hear the whole scene with the script.
Reborn at My Engagement Party · 4 minIce Queen as Shen Qingci
Reborn at My Engagement Party · 4 minDomineering CEO as Gu Yan
Boss, That Oat Milk Is Mine · 3 minDomineering CEO as Lu Jingshen
Boss, That Oat Milk Is Mine · 3 minLivestream Host as Wang Jie
The Call at 3 A.M. · 3 minComposed Lady as Xu Yan (the older sister)
How to choose and use them
- 01
One cast per series
In the audio drama studio, get episode one’s cast right and add it to a series: every later episode gives returning characters the same voice.
- 02
Keep the narrator out of the way
For first-person narration the theater uses the close-to-the-mic Late-Night DJ; a rom-com can switch to the Composed Lady, as Boss, That Oat Milk Is Mine does.
- 03
Same characters, new markets
Adapt an episode into Chinese, Spanish, Portuguese, Japanese, Korean, Indonesian, French or German and keep the voices. Per-episode costs: AI motion comic dubbing.
FAQ
- Which voice for a billionaire CEO?
- Domineering CEO: low, cold, magnetic and slow. He plays Gu Yan in Reborn at My Engagement Party and Lu Jingshen in Boss, That Oat Milk Is Mine.
- Which voice for a revenge heroine?
- Ice Queen, who plays Shen Qingci in Reborn at My Engagement Party. For a sweet, clumsy heroine, the Gentle Healer, as Lin Xiaoman.
- What does one episode cost?
- Audio dramas are 70 credits per 1,000 characters. A two-minute English episode is about 1,700 characters: about 120 credits, roughly $0.95–1.40 on the monthly plans. Finding the cast is free.







